When you donât know what else to do, when youâre really stuck and filled with despair and self-loathing and boredom, but you canât just leave your work alone for a while and wait, you might try telling part of your historyâpart of a characterâs historyâin the form of a letter. The letterâs informality just might free you from the tyranny of perfectionism.
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If you realize that you have done this, you need to stop and look at your characters again. Youâve got to go into these people, and since you donât know them, this means that you need to go into you, wonderful you, who has so many problems and idiosyncrasiesâyou, who will be able to figure out what is true for these people and hence, what they would or would not do in a given situation.
So the acknowledgment that in the midst of ourselves there is still a good part that hasnât been corrupted and destroyed, that we can tap into and reclaim, is most reassuring. When a more or less ordinary character, someone who is both kind and self-serving, somehow finds that place within where he or she is still capable of courage and goodness, we get to see something true that we long for. This is what helps us connect with your characters and with your book. This is what makes it a book we will foist on our friends, a book we will remember, that will accompany us through life.
I donât think you have time to waste not writing because you are afraid you wonât be good enough at it, and I donât think you have time to waste on someone who does not respond to you with kindness and respect. You donât want to spend your time around people who make you hold your breath. You canât fill up when youâre holding your breath. And writing is about filling up, filling up when you are empty, letting images and ideas and smells run down like waterâ just as writing is also about dealing with the emptiness.
If you can stop fighting your history and find workable ways of staying connected to it, you might be free to respond to new opportunities. But if youâre busy struggling with the past, you wonât be available to the present.
Morrison ended the letter with a trace of humility. She set that modesty aside quickly, however, and reinforced her letter with honest bravado, concluding with a final pitch about her confidence in the book.
I suspect this letter should include some information about myselfâ something to prevent you from ignoring this letterâ but thatâs probably presumptuous [sic] if not just a waste of letter reading time. Let me just say. . . :I want to publish books about usâ black peopleâ that will make some senseâ to give joy, to pass on some grandeur to all those black children (born and unborn) who need to get to the horizon with something under their arms besides Dick and Jane and the Rise & Fall of the Roman Empire. . . . I have already published some books that I believe do that. I know the one I have described to you will do more.