This entire episode took me from fear to a rage that burned in me then, animates me now, and will likely leave me on fire for the rest of my days. I still had my journalism. My response was, in this moment, to write. I was lucky I had even that. Most of us are forced to drink our travesties straight and smile about it. I wrote about the history of the Prince Georgeâs County police. Nothing had ever felt so essential to me.
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Your grandmother taught me to read when I was only four. She also taught me to write, by which I mean not simply organizing a set of sentences into a series of paragraphs, but organizing them as a means of investigation. When I was in trouble at school (which was quite often) she would make me write about it. The writing had to answer a series of questions: Why did I feel the need to talk at the same time as my teacher? Why did I not believe that my teacher was entitled to respect? How would I want someone to behave while I was talking? What would I do the next time I felt the urge to talk to my friends during a lesson? I have given you these same assignments. I gave them to you not because I thought they would curb your behavior - they certainly did not curb mine - but because these were the earliest acts of interrogation, of drawing myself into consciousness. Your grandmother was not teaching me how to behave in class. She was teaching me how to ruthlessly interrogate the subject that elicited the most sympathy and rationalizing - myself. Here was the lesson: I was not an innocent. My impulses were not filled with unfailing virtue. And feeling that I was as human as anyone, this must be true for other humans. If I was not innocent, then they were not innocent. Could this mix of motivation also affect the stories they tell? The cities they built? The country they claimed as given to them by God?
I began to feel that something more than a national trophy case was needed if I was to be truly free, and for that I have the history department of Howard University to thank. My history professors thought nothing of telling me that my search for myth was doomed, that the stories I wanted to tell myself could not be matched to truths. Indeed, they felt it their duty to disabuse me of my weaponized history.
Sometimes it all comes back to me and I ask myself: âWhy all this shit? Why do all these horrors happen to me? ⌠All the shit Iâve been through in this motherfuckinâ world ever since I was born. ⌠What kind of world is this? A world where you get your ass kicked if you do good ⌠but given a medal if you kill some guy in the name of patriotism! What shit is that?â My first clash with âlaw and orderâ people was on 30 April 1974. I canât forget that, man! Oh, what bastards! There I was in my house in Surulere. At that time, you know, there wasnât any barbed-wire fence around my place. I had nothing to fear. I wasnât even thinking they could have something against me. I was just preaching revolution for Africa, you know.
One night, desperate for the loo, I stepped on a giant slug and it squelched between my toes in long green tubes. I think thatâs the night I became a soprano. After that, I made myself a salt path every night to dispose of them. As young, first time tenants, we had no idea that we could complain â we had to pay the whole termâs rent up front, so we had no leverage at all. God, it was awful, but we loved having our independence.
I wanted to grab his cigarette from his rough lips. I wanted to burn my fleshâany cigarette-sized section of fleshâwith it. Then, for just a second, I wanted to burn his flesh instead. Perhaps I wanted to see physical pain in his eyes because I couldnât see my own pain, not really, not clearly. I was horrified by my thoughts, but my horror did not quiet them.