This returns us again to the central point of this section; the primary challenge you face is not in increasing creativity per se, but in making your company receptive to the vast amounts of creativity that already exist. The point is not to build a company that depends on you for its innovation, but to continually work towards an organization that is as receptive to new ideas as if those ideas had come from you.

Eight Management Techniques for Stimulating Creativity

We’ve spent most of this chapter describing the traits of companies that remain innovative. We’d now like to discuss things individual managers can do to stimulate creativity.

1. Encourage; Don’t Nitpick. Keep in mind that there’s no shortage of good, workable ideas, but that there’s a tremendous shortage of receptivity to ideas. Don’t be like one of those “wet blankets” that shot down the radio, the telephone, Federal Express, the personal computer, and NIKE shoes as “dumb ideas.”...

1. Be Not Judgmental. Harshly critical people destroy creativity and initiative. The fear of being criticized or being made to look and feel stupid is the biggest impediment to people experimenting, initiating, trying new things. The problem is not that people are inherently uncreative, it’s that people are afraid to be creative—afraid of being laughed at, ridiculed, personally attacked, or otherwise psychologically abused. It’s the deep-rooted fear we all carry around of the seventh-grade math teacher making an example of us in front of our peers. …

1. Help Shy People. Some good ideas never go anywhere because the people who have them are too shy to speak up. In fact, some of the best ideas come from quiet people. Quiet people tend to be excellent observers and thinkers; like cats, they’re watchful and attentive, and often intensely curious. Yet they’re also often fearful of voicing their ideas….

4. Stimulate Curiosity. Relentless curiosity, the pure desire to know things, to test them, to see if something will work, fosters creativity. The most creative people ask many questions; it’s as if they never outgrew that naive childlike desire to ask why. Create an environment where it’s ok to ask questions. Ask questions yourself—not critical questions (again, don’t be a wet blanket), but open ended questions in the spirit of inquiry. A favorite question of ours is, “What did you learn from that experience?”...

1. Create Necessity. Human beings have an amazing ability to innovate their way out of seemingly impossible situations. “Necessity,” as the cliché goes, “is the mother of invention.” But cliché or not, it’s true. In fact, many great ideas have emerged precisely because a company lacked the resources to do what it ideally would have liked…

6. Allow Time Away from the Fray. Certain highly creative individuals need solitary time to do their best thinking, time away, time to think in silence. Phil Knight, founder of NIKE, believes that people get their best ideas away from the office, at the beach, or running, which is one reason why NIKE has a wide ranging campus with running trails, tennis courts, basketball courts, weight rooms, and aerobics studios. Herman Miller lets its designers choose their venue for creativity—and some choose to do much of their work at home or somewhere else off-site. .. At Patagonia, the pattern-making group (part of the design department) has a little sign posted near its area: PLEASE OBSERVE QUIET TIME. Closed from 8:00 to 12:00.

1. Catalyze Group Problem Solving. “Quiet time” is not the whole story at Patagonia. In addition to letting people have quiet, solitary incubation and thinking time, it’s essential to capture the creativity of multiple minds thrashing about together. Brainstorming and other group activities produce extraordinary ideas.

Desks at Patagonia are jumbled together in large, open bullpen-style pits (called “Bangladesk”). People are expected to work closely with others—both spontaneously and scheduled—in coming up with new ideas and solutions to problems….

8. Require Fun. “As far as I’m concerned, the most important thing is having fun,” explains Ted Nierenberg, founder of Dansk International Designs. “If you’re not having fun in what you do, lock it up and try something else.”

We’re serious about fun. Fun leads to creativity. Ask people, “Are you having fun?” Ask yourself. Set enjoyment as an absolute requirement of work; if there’s no joy, there will be little creativity. Have you ever noticed that some of the most creative people are a lot like little kids? They like to play, and, to them, work is play.

This doesn’t preclude hard work. Creativity is hard work, but it should also be fun.

Myers as an artist and musician who had consulted with businesses through the Myers Institute for Creative Studies; Ray as a social psychologist and business professor who started bringing creativity into classes in the early sixties. We had each repeatedly observed that without the involvement of some very deep personal sources of creativity, idea-generating techniques used alone could produce confusion - or at best, short-term gains. As with the proverbial Chinese meal, an hour later and you’re hungry again.

For an excellent overview, read Geoff Smart and Randy Street’s book Who: The A Method for Hiring; to learn the details of the process, read Bradford D. Smart’s book Topgrading: The Proven Hiring and Promoting Method That Turbocharges Company Performance.

Awareness is key to life design, and this is true especially when you are designing your career. If you are aware of the process involved in hiring, in writing job descriptions, in reading résumés, in interviewing (from the employer’s perspective), your success rate in getting a job offer goes way up. Empathy is a crucial element in design thinking, and having empathy—and understanding—for the poor hiring manager buried under a sea of résumés will help you know how to design a more effective job hunt. Effectiveness in getting hired involves a simple yet important design reframe.