I am black, and have been plundered and have lost my body. But perhaps I too had the capacity for plunder, maybe I would take another human’s body to confirm myself in a community. Perhaps I already had. Hate gives identity. The nigger, the fag, the bitch illuminate the border, illuminate what we ostensibly are not, illuminate the Dream of being white, of being a Man. We name the hated strangers and are thus confirmed in the tribe. But my tribe was shattering and reforming around me. I saw these people often, because they were family to someone whom I loved. Their ordinary moments - answering the door, cooking in the kitchen, dancing to Adina Howard - assaulted me and expanded my notion of the human spectrum. I would sit in the living room of that house, observing their private jokes, one part of me judging them, the other reeling from the changes.

Marley effectively used the hypnotic sounds of reggae laced with poetic lyrics to protest injustices, creating an entirely novel philosophical discourse through music. Brown’s aggressive funk, which became the backbone of Fela’s Afrobeat, placed the reviled, feared black body and features on the map of the world in a positive, sensuous light. But neither Brown nor Marley tried to organize popular resentment into a political party, as Fela did. Neither went as far as Fela in identifying in unmistakably graphic terms the elites that were responsible for the oppression of African peoples all over the world.

“In the moments of darkness that were to come, I remembered his words. If someone like him could survive and overcome twenty-seven years in prison and become a symbol of love and freedom to our people—why couldn’t I endure this? What I was going through seemed like a small thing compared to what he had survived. Compared to all those who had died during South Africa’s struggle for independence and democracy.

“The gender issue became a difficult one for the politicians in my country. Everyone seemed to support me and my right to run. They saw in me an innocent Black child caught in a terrible situation. For us, it became about more than gender—it became about race. It became about White people coming and telling us Africans what we were and what we were not based on our looks—the same categorizations and violations of human rights that were happening during apartheid. I became a symbol of how Black people have been violated and exploited throughout history.

Chapter 2: ‘His Poems Are Seditious in Nature’: The Man Who Connected Them All

“Over the years, I have heard my uncles and aunts talk about the poetry my dad used to write. It had assumed a kind of legendary status in our family, but reading these documents was the first time I had actually seen it. I was surprised at how much it read, to me, like what it is — the writing of someone barely out of their teens. An intelligent person, with a great command of English, for sure. But words that could bring down a state? I still can’t get my head around it. I suppose that is the thing with repressive regimes. Any dissent must be totally stamped out. Even the words of someone as young as my dad. They say that you manifest what you fear, and the government did just that with my dad. He wasn't actively planning a revolution before his banning but he would do so afterwards.