Experiences such as the one related above are the source of Fela’s ‘78 hit “V.I.P.” – again a play on words, for instead of “Very Important Person”, it stands for Vagabonds in Power.

Marley effectively used the hypnotic sounds of reggae laced with poetic lyrics to protest injustices, creating an entirely novel philosophical discourse through music. Brown’s aggressive funk, which became the backbone of Fela’s Afrobeat, placed the reviled, feared black body and features on the map of the world in a positive, sensuous light. But neither Brown nor Marley tried to organize popular resentment into a political party, as Fela did. Neither went as far as Fela in identifying in unmistakably graphic terms the elites that were responsible for the oppression of African peoples all over the world.

Nevertheless, he refused exile. “No one will force me out of this country,” he warned. “If it is not fit to live in, then our job is to make it fit.” Instead, he chose a life on the margins that rejected all the material excesses of Africa’s post-independence elites. He saw the Africa that he and his parents inherited as “not the real Africa.” The Kalakuta Republic he set up in the heart of a large, sprawling ghetto was his attempt to reinvent and reimagine another Africa: a space of belonging for all, especially the dispossessed.

This seemed to be in direct conflict with the pride Ghanaians had in their own culture and precolonial history. I recall a song—my father’s favorite—by the great Nigerian musician and activist Fela Kuti called “Colonial Mentality.” Colonial mentality, as defined by Kuti, is the idea that people who have been colonized, marginalized, and enslaved feel themselves inferior to their colonizers based on the very fact of their colonization. He be say you be colonial man, Kuti sings in his beautifully rough voice, his Nigerian pidgin clear and defiant. You don be slave man before / Them don release you now / But you never release yourself.

After all, there is something to be said about corruption - or unregulated consumption - in a social landscape scarred by centuries of deprivation. Greed is inevitable in this context; as it happens, it turns out to be the cousin of envy too. Both states suggest preoccupation with a prized commodity: the man of envy is powerless over its supply; the man of greed devours it as he wishes, when he wishes. The desire of one is frustrated by lack; the desire of the other cannot be sated even by plenty. One looks on forlornly from the sidelines; the other is on the field of play, feasting, snout revelling in the trough.