Years later, Elimo Njau would become one of the leading artists in Africa; he founded the famous Paa ya Paa art gallery, still active today.
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He held a book in his hands, and my eyes fell on the title: Tell Freedom by Peter Abrahams. I was transfixed. The words seemed to speak of a world beyond the walls of the Alliance.
Villagization, the innocuous name the colonial state gave to the forced internal displacement, was sprung on the Kenyan people in 1955, in the middle of my first term at Alliance, but living within the walls of the school, I had not heard about the agents of the state bulldozing people’s homes or torching them when the owners refused to participate in the demolition. Mau Mau suspects or not, everybody had to relocate to a common site. In some regions, the state forced people to dig a moat around the new collective settlement, leaving only one exit and entrance. The whole of central Kenya was displaced, and the old order of life destroyed, in the name of isolating and starving the anticolonial guerrillas in the mountains.
In the story of colonial settlements in Africa and America, only the Spanish and German rivals wallowed in blood, while the English overcame challenges of nature and man. Even in the story of the slave trade, the English, with their antislavery legal enactments, emerged as the heroes of the abolition movement and not the villains of its earlier expansion.
She touched her heart in blessing. These days there’s no Luo or Gĩkũyũ, she said. We are all the children of Kenya.
We are all the children of Kenya. All the children of Africa. All the children of the world. Even though she has long passed on, I remember her words and looks and smile. It was another case of wisdom and enrichment from the street. Knowledge gained inside and outside a formal setting impacted my life equally.
Looking back, I can see that Haggard and other popular writers, when it came to my continent, were penning from the same dictum: imperialism was normal, resistance to it immoral. Africa and its peoples were the background that enabled European self-realization, the same theme that ran through our history lessons. The fast pace, turns, twists, mystery, and denouement sucked me into those adventures, but soon even these elements could not blind me completely to the negative implications of certain images and groupings of characters. Even in fiction I was not going to escape the theme of empire building. But then I stumbled into the crime thriller and detective category, and I thought, just maybe, I might finally escape into the realm of pure, untainted fiction.