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Ju/’hoansi hunters experience the desert as a vast interactive canvas animated by the tales of different animals who inscribe their comings and goings in the sand. Like poetry, tracks have a grammar, a meter, and a vocabulary. But also like poetry, interpreting them is far more complex and nuanced than simply reading sequences of letters and following them where they lead. To unpack the layers of meaning in any individual set of tracks and establish who made it and when, what the animal was doing, where it was going and why, hunters must perceive the world from the perspective of the animal.