“I had Plato in mind when, many years ago now, I wrote Care of the Soul. I thought of it as simple, daily concrete care for our essence, our depth, and the source of our humanity. If you care for your soul, you will be more human, able to relate better and find your way through life, discovering your purpose and calling. Care of the soul is not always about dealing directly with problems but solving them indirectly by discovering your deepest self and making a beautiful life.

For the most part, therapy is a matter of telling stories and listening to stories. A therapist needs an acute ear because she has to hear the stories within and behind the stories told and reach so far in her hearing as to grasp the mythic tale, the one that only whispers in the background and yet expresses the essence of the story. Myth describes the basic human experience, the archetypal level, that undergirds the story of events in time. The client tells the stories of her life, but the therapist listens for the rumble of myth deep within the simple stories of life. Adventures of the soul are bigger in scope than the vignettes of ordinary days. They are captured in myths, fairy tales, and legends, not in personal stories, unless you probe these deeply enough to glimpse the myth. So I always look for the greater story within the simple, literal details of daily life. I listen beneath the surface for the great and ancient tale, the story of the soul. To do this kind of listening, it helps to know mythologies and fairy tales and folk stories. If I were establishing my own school of psychotherapy, I’d include classes on mythology and folk tales, the stories of the spiritual traditions, and even novels and short stories, all of which educate the imagination so that a therapist is ready to hear the deep rumblings of primal narratives within the telling of a personal experience. A therapist should be an expert in stories, one who not only listens well but also helps clients tell their stories vividly and meaningfully.

Pedraza suggested that the therapist in this case be in touch with his own freakishness and then stay in tune with the patient’s way of speaking, echoing it if possible. The idea is to enter into whatever complex has gotten hold of the patient through his style of language, his rhetoric.

A passage from the poet Wallace Stevens (1989) has guided me for many years in my understanding of both religion and depth psychology: “The final belief is to believe in a fiction, which you know to be a fiction, there being nothing else. The exquisite truth is to know that it is a fiction and that you believe in it willingly” (p. 189). These words are not as radical as they may sound at first. You just have to accept that everything we say is colored by the limits of our understanding, our emotional biases, and our hopes and wishes. Imagination shapes everything we say and think. Whenever we tell the stories of our lives, we are all novelists. In his book Healing Fiction, Hillman (1983) went further. He said that therapy offers the opportunity to opt into a better fiction, tell a more advanced story about your life.

From the first moment, I’m aware that therapy is a space separate from ordinary conversation. I listen more acutely than usual. I’m tuned in to levels of communication. I listen for the appearance and sound of the soul rather than the intended communication of my client. I hear overtones and reverberations. It’s not like listening at ordinary times in life. It’s not just focused listening, it’s listening for past voices and spirits and angels, to speak metaphorically.