My experience is that closure is an extraordinarily compelling fantasy of mourning. It is the fiction that we can love, lose, suffer and then do something to permanently end our sorrow. We want to believe we can reach closure because grief can surprise and disorder us â even years after our loss.
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If someone isnât changed, then what is the point of your story? For the climax, there must be a killing or a healing or a domination. It can be a real killing, a murder, or it can be a killing of the spirit, or of something terrible inside oneâs soul, or it can be a killing of a deadness within, after which the person becomes alive again. The healing may be about union, reclamation, the rescue of a fragile prize. But whatever happens, we need to feel that it was inevitable, that even though we may be amazed, it feels absolutely right, that of course things would come to this, of course they would shake down in this way.
My fatherâs death demolished me. It was perhaps because I had never properly grieved my motherâs leaving that I approached mourning him with fierce intention. Grieving, I learned, was a process of story construction. I needed to construct a story so I could reconstruct my world. There were decisions to make about what to put in and what to leave out.
A passage from the poet Wallace Stevens (1989) has guided me for many years in my understanding of both religion and depth psychology: âThe final belief is to believe in a fiction, which you know to be a fiction, there being nothing else. The exquisite truth is to know that it is a fiction and that you believe in it willinglyâ (p. 189). These words are not as radical as they may sound at first. You just have to accept that everything we say is colored by the limits of our understanding, our emotional biases, and our hopes and wishes. Imagination shapes everything we say and think. Whenever we tell the stories of our lives, we are all novelists. In his book Healing Fiction, Hillman (1983) went further. He said that therapy offers the opportunity to opt into a better fiction, tell a more advanced story about your life.
Temporary insanities, like those of hard loss and grief, are always potentially creative, depending on how you deal with them. The temptation always is to sink too far into self-pity and to find relief in the compassion of others. Itâs important to feel the sadness, but emotion is always only a partial resolution. Grief is complete only with a shift in being, in the way you live, think, and relate to the world.
...new life always requires the termination of the old. Death is an appropriate image. And that is exactly what it is, an image. It doesnât mean you are going to die, although you may feel the sadness of ending in the midst of your dark night. It means that life wants to go on differently. Real, vital life doesnât repeat itself.