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It’s only in Part Two, titled Winter, that things go badly wrong for Aaron. He kills somebody, a woman, in a tragic shooting accident and then runs away to escape, not from the law but from himself. He hides away in a nameless jungle, could be in central Africa, somewhere humid and lush and corrosive, where morals and metals decay. All of this is told fast and fiercely, in a handful of pages. But it’s at this point, when the life of our mysterious hero should take on more weight and power, that the book falters, becoming hesitant and unsure. He does terrible things and terrible things are done to him. He’s a young man on the lip of his adult life, but all his promise gets used up in the wretched struggle to survive. Trouble is, as Aaron’s life breaks down, the narrative does too, names and details changing from one paragraph to another, febrile scratchings-out and rewritings in Anton’s unmistakable old-young hand, could be a child’s or a geriatric’s.