In a highly intelligent and sensitive book, Give Sorrow Words, psychiatrist Dorothy Judd tells the poignant story of Robert, a seven-yearold boy with leukemia, and his two years of painful treatment. In her conclusion she mentions the importance of a medical staff providing clear and honest information, so that people can decide whether agonizing treatment is worth a few more months of life. She also describes how important it is to care for the emotions of patient and family, noting that the ending of a life can be meaningful for everyone involved. Dr. Judd is clearly a doctor of the soul.
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Here is the best true story on giving I know, and it was told by Jack Kornfield of the Spirit Rock Meditation Center in Woodacre. An eight-yearold boy had a younger sister who was dying of leukemia, and he was told that without a blood transfusion she would die. His parents explained to him that his blood was probably compatible with hers, and if so, he could be the blood donor. They asked him if they could test his blood. He said sure. So they did and it was a good match. Then they asked if he would give his sister a pint of blood, that it could be her only chance of living. He said he would have to think about it overnight.
The next day he went to his parents and said he was willing to donate the blood. So they took him to the hospital where he was put on a gurney beside his six-year-old sister. Both of them were hooked up to IVs. A nurse withdrew a pint of blood from the boy, which was then put in the girlās IV. The boy lay on his gurney in silence while the blood dripped into his sister; until the doctor came over to see how he was doing. Then the boy opened his eyes and asked, "How soon until I start to die?"
Sometimes you have to be that innocent to be a writer. Writing takes a combination of sophistication and innocence; it takes conscience, our belief that something is beautiful because itās right. To be great, art has to point somewhere. So if you are no longer familiar with that place of naive conscience, itās hard to see any point in your being a writer. Almost all of my close friends are walking personality disorders, but I know innocence is in them because I can see it in their faces and in their decisions. I can almost promise that this quality is still in you, that you are capable of quiet heroism.
But, as important as it is to understand the sources and details of oneās pain, understanding is rarely enough. My patients come to therapy wanting the burden of their accumulated experience lifted. Yes, they want to make sense of their lives, but that is not usually their fundamental or exclusive aim. First and foremost, they are trying to get over their accumulated trauma in order to feel less fearful, isolated, forlorn, helpless, alone, anxious, or depressed. They might not be able to say it so clearly, but they are reaching for things
beyond thought, trying to make contact with essential capacities that have been sacrificed in their efforts to adapt, adjust, comply, cope, or conform.
In one of his most important papers, āThe Development of the Capacity for Concern,ā written in 1963, toward the end of his life, Winnicott explained how important it is to help patients explore the ways that anger has kept them under its spell. Concern for others, he made clear, depends on being able to see others as whole people in and of themselves rather than as being there only to serve oneās needs.
...the philosopher Richard Kearney sums up catharsis as a matter of āacknowledging painful truths.ā This is a simple idea, but it gets to the heart of what it takes to clear out the soul.
Virginia Woolf sets out the scope of illness in her brief essay āOn Being Illā: āConsidering how common illness is, how tremendous the spiritual change that it brings, how astonishing, when the lights of health go down, the undiscovered countries that are then disclosed, what wastes and deserts of the soul a slight attack of influenza brings to view, what precipices and lawns sprinkled with bright flowers a little rise of temperature reveals, what ancient and obdurate oaks are uprooted in us by the act of sickness . . . it is strange indeed that illness has not taken its place with love and battle and jealousy among the prime themes of literature.