Once the catcher feels like a creative collaborator, the odds of rejection diminish,â Elsbach says.
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In other words, the salespeople with an optimistic explanatory styleâwho saw rejections as temporary rather than permanent, specific rather than universal, and external rather than personalâsold more insurance and survived in their jobs much longer.
The lesson here is critical: The purpose of a pitch isnât necessarily to move others immediately to adopt your idea. The purpose is to offer something so compelling that it begins a conversation, brings the other person in as a participant, and eventually arrives at an outcome that appeals to both of you.
When sellers and buyers are evenly matched, pushing for win-lose rarely leads to a win for anyoneâand often ends in lose-lose.
But the successful seller must feel some commitment that his product offers mankind as much altruistic benefit as it yields the seller in money.
Psychoanalyst Adam Phillips observes that âpeople tend to flirt only with serious thingsâmadness, disaster, other people.â When we craft experiments, we are flirting with our many selves, a serious endeavor because it matters so much to us. The stronger the attraction, the more vulnerable we are to biases that affect how we perceive alternatives. Since we are not neutral about which outcome we prefer, we can fall into the trap of evaluating our experiments with a positive bias, one that encourages us to escalate commitment, even when we have evidence that it would be better to abandon ship or put the pet project on hold. A related danger is inadvertently putting a current work situation at risk. The exploration feels risk free, because we hide it from work associates. But the project becomes all-consuming, and it becomes obvious to everyone around us that our attention is divided.