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One wrong move could be fatal and so no one makes a wrong move. It is the reason a stranger should never set out into the city without a native guide. Some cities have a plan, a diagram of the city before its founding, or a map, a schematic representation of the city as it now is. Not this city. The choreography that keeps it going would be amazing could it be seen in a single encompassing moment. That is not possible in a city which changes faster than it can be described and which tolerates cartography only on a scale of 1:1.

But on returning to the city he found it grim and was tempted to call it a post-traumatic landscape except that would have suggested the trauma was in the past. It is a city of unspoken sufferings: the wordlessness of the disappeared dissidents, the blankness at the other end of the blackmailer’s phone line, the hush after a lynching, the shiver after a beating, the abyss following child abuse, the stillness after a murder, the muteness after a rape, the long-held hopes that vanish as soundlessly as a drop of water on velvet.