Keep, ancient lands, your storied pomp!’ cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore,
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!
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Nasreen chewed for several moments, staring at Alia before answering. “Pushing boundaries. That’s the only way to change things. You ask for more than they’ll give, but as much as you deserve. Have you learned nothing from this country?
Nothing was neutral, there was always something attached to it, clinging to it, triggering, pulling, insisting, asking her to look, telling her not to forget. She’d tried explaining this one to Adam, but he had shaken his head and insisted that she was going to exhaust herself, that it sounded like she was living several lives at once, all stacked up on her, weighing her down, bottoming her out. Waleed had understood, a little. He had told her it was the same for him, to walk through the city was to walk with ghosts.
Silences
“Though even after all the fading and furring, so many lines still remain, now seeming like even sparser fragments of the whole: a warm look in the eye when the face is lost, a smell that recalls a music whose melody is out of range, the memory of a room when the house or its location is forgotten, a field of pasture by the side of the road in the middle of a void. So time dismembers the images of our time. Or to put it in an archaeological way, it is as if the details of our lives have accumulated in layers, and now some layers have been displaced by the friction of other events, and bits of contingent pieces still remain, accidentally tumbled about.
Silences
“Though even after all the fading and furring, so many lines still remain, now seeming like even sparser fragments of the whole: a warm look in the eye when the face is lost, a smell that recalls a music whose melody is out of range, the memory of a room when the house or its location is forgotten, a field of pasture by the side of the road in the middle of a void. So time dismembers the images of our time. Or to put it in an archaeological way, it is as if the details of our lives have accumulated in layers, and now some layers have been displaced by the friction of other events, and bits of contingent pieces still remain, accidentally tumbled about.
7. The Come-Apart
“Zehrunisa returned to her hut and sobbed, still clutching the rag with which she’d
cleaned her neighbor. She didn’t cry for the fate of her husband, son, and daughter, or for the great web of corruption she was now forced to navigate, or for a system in which the most wretched tried to punish the slightly less wretched by turning to a justice system so malign it sank them all. She cried for the manageable thing — the loss of that beautiful quilt, a parting gift to a woman who had used her own body as a weapon against her neighbors.