Unexpected events often provoke insights that allow progress toward a solution after a period of being stuck. They allow us to reframe our stories. For John, the revelation was not that he should become a writer. It was that he could not live in two worlds and that he would have to come to terms with letting go of the old identity that was slowing him down. John had never stopped to challenge his basic assumption that he could maintain his old social and financial status while moving into a realm that would allow him greater artistic expression.
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Neither Lucy nor Pierre planned their way into their transitions, nor did they kick things off with a good dose of self-analysis. Instead, events in their lives and work led them to envision a new range of possible selves, the various imagesâboth good and badâof whom we might become that we all carry.
Endings are tougher and take longer than we think. No matter how unhappy we may be in a job, most of us continue to revisit the possibility of making it work because the present role is necessarily tied to a possible selfâan image, outdated though it may be, of whom we once wanted to become. Juneâs academic identity, for example, kept reasserting itself throughout the entire transition period, even after she had handed in her resignation. âMy department was family, a dysfunctional one,â June says, âbut one I was an intimate part of, one I joined at age seventeen when I went to college.â For her, leaving academia meant not just giving up a long-term career objective but also an image of who she should become that important people in her life, including her mentor, harbored. The emotions she felt when she found the pile of draft articles that would have assured her professorial future show just how much giving up a possible selfâeven one that has become a burden or lost its appealâmarks a real loss.
A working identity, however, is not merely what we do and with whom; it lies also in the unfolding story of our lives. Throughout a career transition, the narratives we craft to describe why we are changing (and what remains the same) also help us try on possibilities. Juneâs attempts at explaining herselfâwhy she wanted to make such a seemingly âcrazyâ career change, why a potential employer should take a chance on her, why she was attracted to a company she had never heard of a day beforeâwere at first provisional, sometimes clumsy ways of redefining herself. But each time she wrote a cover letter, went through an interview, or updated friends and family on her progress, she better defined what was exciting to her, and in each public declaration of her intent to change careers, she committed herself further.
Experience reveals barriers to change that we can rarely identify at the outset of a career transition, no matter how much self-reflection we do. What we see as feasible and appealing is always constrained by the limitations of our experience.
But such insights on their own cannot drive a career transition to its culmination. They have to be worked into a compelling story. Why? Because we define who we are by our life stories. And stories about change, by definition, require a âbeforeâ and âafter.â Events are merely occasions for retelling, reworking, and reassembling our experiences. We are literally reinventing the past so that it flows into a future we desire. In Johnâs case, the astrologer episode gave him a dramatic moment around which he could construct a story that would explain his actions as he left the bank. Knowing the story gave him motivation and purpose. Our stories are not only for private consumption. They also help others make sense of what may seem like nonsensical actions, such as quitting a prestigious job instead of hanging on for early retirement.