I wrote that draft short assignment by short assignment, making each section, no matter how small or seemingly casual, as good as I could. I took out whole paragraphs that I loved, paragraphs I’d shoehorned into the book because I liked the writing or the image or the humor. I worked on it for eight or nine months, sending off the first third, which my editor was amazed by, and then the second section, which he loved. I finished the third section around the time I broke up with a man with whom I’d been involved for some time. I had a brainstorm: I would mail the third section off, borrow the money to fly to New York, and spend a week there, doing the line editing of the book with my editor and, at the same time, getting away from this man I was breaking up with. Also, I could collect the last third of the advance that Viking owed me and do a little retail therapy in New York City.

It took her “six or seven years of very interrupted effort” to produce Bible and Sword. Like Morrison, Tuchman accumulated a stack of rejection slips before finding a publisher, a university press that mainly produced niche books. At age 44, Tuchman had finally become a published writer of history— a relatively unknown writer with a small readership, but a published writer nonetheless. And like Morrison, she’d become compulsive about her work, unable to stop herself, one question leading to another, project after project, book after book.

Like Morrison, she did some of her best work late, receiving a second Pulitzer Prize at age 60 (the first writer to ever receive a second Pulitzer Prize in the category of General Nonfiction) and a National Book Award at age 68. Both Morrison and Tuchman faced a “success cliff”; this is the type of cliff where a person achieves a level of success and recognitions that could impede further creative work.

Yet both sustained the cycle of creative work, Morrison pumping out five major books after receiving the Nobel Prize in Literature (at age 62) and Tuchman producing four major books after the second Pulitzer Prize. Both writers produced more than 40% of their major books after the age of 60.

12. Feeding the Inner Fire (and Doing Great Work Late)

Toni Morrison didn’t write Beloved and Jazz, two of the books highlighted in her selection for the Nobel Prize, until well past the midpoint of her life; she published Beloved at age 56 and Jazz at age 61.

Robert plant garnered 86% of his 21 Grammy nominations, and all eight of his wins, after the age of 50. As I write this in 2025, Plant continues his creative work (in his mid-70s), and it is entirely possible that he will bring forth more award-winning music.