Your grandmother taught me to read when I was only four. She also taught me to write, by which I mean not simply organizing a set of sentences into a series of paragraphs, but organizing them as a means of investigation. When I was in trouble at school (which was quite often) she would make me write about it. The writing had to answer a series of questions: Why did I feel the need to talk at the same time as my teacher? Why did I not believe that my teacher was entitled to respect? How would I want someone to behave while I was talking? What would I do the next time I felt the urge to talk to my friends during a lesson? I have given you these same assignments. I gave them to you not because I thought they would curb your behavior - they certainly did not curb mine - but because these were the earliest acts of interrogation, of drawing myself into consciousness. Your grandmother was not teaching me how to behave in class. She was teaching me how to ruthlessly interrogate the subject that elicited the most sympathy and rationalizing - myself. Here was the lesson: I was not an innocent. My impulses were not filled with unfailing virtue. And feeling that I was as human as anyone, this must be true for other humans. If I was not innocent, then they were not innocent. Could this mix of motivation also affect the stories they tell? The cities they built? The country they claimed as given to them by God?

We clinked bottles and smiled, but his words stung because the life I’d imagined for myself had slipped through my inattentive fingers. It was not the place that was a backwater, it was me. My spirit had eddied into the shallows of domesticity and beached itself. I had let John down because I had let myself down by immuring my combative originality, which he’d always valued and loved. Yes, my brother’s words stung –look how long I have remembered them- but they were a gift: he would not me forget that I had once known other things and made other plans.

He would smile, perhaps relieved by my unaffectedness. Sometimes Yasmeen cried. I thought two crying daughters would be too much for him, so I trained myself to wait until I was alone, in my closet or in the bath. My father would wipe Yasmeen’s face, hug us both, ask us if we wanted chocolate milk.

“Good girl,” he’d whisper in my ear. I was good because I was restrained. My father, I believe, carried a lot of hurt from his relationship with my mother. He did not like to see the related pain radiating from his daughters’ eyes.

Those letters taught me about longing. Reading them in front of my father taught me to hide it, often even from myself. I know now what a dangerous kind of denial that is. It leaves you ravenous. It makes your seismometer vibrate when the phone call you are shocked to discover you have been waiting for your whole life offers you precisely what you are terrified to want: Hello, Nadia. This is your mama.

I am twenty-eight years old, 5ft 4in tall, 112lbs. I am handsome at exactly three angles and deadly from everywhere else. I am writing you from inside a body that used to be yours. Which is to say, I am writing as a son.

If we are lucky, the end of the sentence is where we might begin. If we are lucky, something is passed on, another alphabet written in the blood, sinew, and neuron; ancestors charging their kin with the silent propulsion to fly south, to turn toward the place in the narrative no one was meant to outlast.

I have spent many years judging my dad’s performance as a father. I have spent much less time considering what it took for him to keep going, and to give me what he did. He knows I’m writing about him, and about the things that went wrong and the places where we both fell short. Opening up in the way that he has a radical act of generosity.