The superiority of one writer over another is not just in the quality of language; but also in the quality of the story and the storytelling; the quality of enchantment; and the timelessness of that enchantment. It is therefore futile to speak of superiorities. There is only that which lives, and which keeps on living.
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Laws do not bind our perceptions. There are as many worlds as there are lives. It is not those who have no imagination who are the problem, for we all possess imagination, few of us use it well. The problem is with those who are frightened of the rather limitless validity of the imagination, frightened of people who continually extend the boundaries of the possible, people who ceaselessly redream the world and reinvent existence; frontiers people of the unknown and the uncharted.
In a fractured age, when cynicism is god, here is a possible heresy: we live by stories, we also live in them. One way or another we are living the stories planted in us early or along the way, or we are also living the stories we planted β knowingly or unknowingly β in ourselves. We live stories that either give our lives meaning or negate it with meaninglessness. If we change the stories we live by, quite possibly we change our lives.
Storytellers ought not to be too tame. They ought to be wild creatures who function adequately in society. They are best in disguise. If they lose all their wildness, they cannot give us the truest joys.
There can be no absolutes: no absolute good or evil; no absolute way of living. No absolute truth. All truths are mediated and tempered by the fact of living. Being alive qualifies all things.
There is the great suffering that is an intrinsic part of love, the love of oneβs work, the love of the world, and of humanity. There is the unbargained-for cost of telling stories β the hounding by dictators, military leaders, spy networks, secret services, all those with their own agendas, all those who like or dislike only through the screen or filter of their ideologies or insecurities. There are other costs β the death-threats, the enmities incurred by the innocence of the word, the demons of rivalry, the degrading competition which leads the best practitioners, if they submit, away from their beautiful journey.