It is precisely in a broken age that we need mystery and a reawakened sense of wonder: need them in order to be whole again.
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We need something more, perhaps something transcendent and unconfined byΒ reason to grant some necessary meaning to our lives. That need seems to be something quite fundamentally human, whether or not we are considered mad.
Laws do not bind our perceptions. There are as many worlds as there are lives. It is not those who have no imagination who are the problem, for we all possess imagination, few of us use it well. The problem is with those who are frightened of the rather limitless validity of the imagination, frightened of people who continually extend the boundaries of the possible, people who ceaselessly redream the world and reinvent existence; frontiers people of the unknown and the uncharted.
The old storytellers were the first real explorers and frontierspeople of the abyss. They brought the world within our souls. They made living within and living without as one.
And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing about us, and with no beliefs by which to steer our ways through the dark descending nights ahead β I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them in order to begin to be whole again. We need to be reminded of the primeval terror again. We need to be humble again. We need to go down to the bottom, to the depths of the heart, and start to live again as we have never lived before. All the terrors are still there. Itβs we who no longer see them. They are getting ready to pounce on us again. Maybe it has already happened.
Writers have one great responsibility: to write beautifully, which is to say to write well. Within this responsibility is that of being truthful. To charm, to amuse, to enchant, to take us out of ourselves, these are all part of beauty. But there is a parallel responsibility: and that is to sing a little about the realities of the age, to leave some sort of magical record of what they saw and dreamt while they were alive (because they canβt really do it the same way when dead), and to bear witness in their unique manner to the beauties, the ordinariness, and the horrors of their times.
The ages have been inundated with vast oceans of words. We have been virtually drowned in them. Words pour at us from every angle or corner. They have not brought understanding, or peace, or healing, or a sense of self-mastery, nor has the ocean of words given us the feeling that, at least in terms of tranquillity, the human spirit is getting better.
At best our cry for meaning, for serenity, is answered by a greater silence, the silence that makes us seek higher reconciliation.
I think we need more of the wordless in our lives. We need more stillness, more of a sense of wonder, a feeling for the mystery of life. We need more love, more silence, more deep listening, more deep giving.