Elizabeth Alexander offers an answer in The Trayvon Generation. She describes having frequently visited a conference room at Yale University for over fifteen years as a faculty member and never once noting that the painting at the front of the room of benefactor Elihu Yale, after whom the university is named, included a small brown boy at his feet with an iron collar around his neck linked to a chain. She was shocked by her “delayed comprehension.” “I did my work under the matter-of-fact, unproblematized image of an enslaved brown figure at the foot of the most venerated person in the university’s history.