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In Brazil, a 2023 art exhibition coproduced by a Chilean university showed the vast chasm between the reality of Latin America’s rich Indigenous cultures and the woefully bereft depictions of them spit out by Midjourney and Stable Diffusion as primitive, technologically inept peoples.

In recent years, the Atacameños have mounted more and more resistance. They fly black flags on their houses to denounce the exploitation of their lands and their community. They’ve organized protests to physically block the roads that company buses and trucks must take to get to the mines. They’ve contracted lawyers to assert their legal rights as Indigenous peoples under international law, which protects their cultural and territorial sovereignty. As companies and the Chilean government have been forced to invite them to negotiations, central to Indigenous demands are the need for the government to conduct research into the health of the Atacama Desert’s ecosystems and to quantify the water loss and any irreparable damage.