She had always enjoyed waking people who were asleep; and indeed it is as great an alteration to the state of a fellow-creature that we can make short of killing them or giving birth to them.
âRebecca West, This Real Night
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She couldnât, but she said something that changed my life. "Watch her carefully right now," she said, "because sheâs teaching you how to live."
I remind myself of this when I cannot get any work done: to live as if I am dying, because the truth is we are all terminal on this bus. To live as if we are dying gives us a chance to experience some real presence. Time is so full for people who are dying in a conscious way, full in the way that life is for children. They spend big round hours. So instead of staring miserably at the computer screen trying to will my way into having a breakthrough, I say to myself, "Okay, hmmm, letâs see. Dying tomorrow. What should I do today?" Then I can decide to read Wallace Stevens for the rest of the morning or go to the beach or just really participate in ordinary life. Any of these will begin the process of filling me back up with observations, flavors, ideas, visions, memories. I might want to write on my last day on earth, but Iâd also be aware of other options that would feel at least as pressing. I would want to keep whatever I did simple, I think. And I would want to be present.
To bear the lack of originality: even the least ambitious among us have to invent some way to believe we are distinctive and irreplaceable. One wonders if this desire, humble and presumptuous though innately human, gives the permission for the use of I. Yet for months after the hospital stays I tried to explain to those around me that anyone can be, and should be, replaceable. What does this I matter to you when it means so little to myself?
Or else she would be taken over by an inexplicable rage, saying that I, the only person she loved, deserved the ugliest death because I did not love her enough. Why did you curse me so, Mother; why did you not stop her cursing, Father? Though the truth is, I do not want to know the answers. I resent even thinking about the questionsâwhat others and the world have done should not define one as much as what one has done to oneself.
Sometimes I suspect that I am drawn to those who donât converse with me because I have not outgrown a childish wish that they will teach me how to live. Or, a slightly more complicated version: I wish that they would teach one how to die.
All people lie, in their writing as much as in their lives. It frustrates me that I hold on to an unrealistic belief: there is some irrefutable truth in each mind, and the truth is told without concealment or distortion in a letter or in a journal entry. My obligation is to look for that truth; finding it will offer me the certainty I donât have in me. With that certainty I will find a way to build a solid self. This burden I never take on while reading or writing fiction.