To bear the lack of originality: even the least ambitious among us have to invent some way to believe we are distinctive and irreplaceable. One wonders if this desire, humble and presumptuous though innately human, gives the permission for the use of I. Yet for months after the hospital stays I tried to explain to those around me that anyone can be, and should be, replaceable. What does this I matter to you when it means so little to myself?

I must have inherited this respect for things from my father, who is a hoarder, though I have resisted forming an attachment to any object, or any place. I wished then and I wish now that I had never formed an attachment to anyone in the world either. I would be all kindness. I would not have done anything ruinous. I would never have to ask that question—when will I ever be good enough for you?—because by abolishing you, the opposite of I, I could erase that troublesome I from my narrative, too.

In life we seek like-minded people despite—or because of—the limit of knowing and understanding. We do so to feel less lonely, though it brings a different kind of loneliness. In seeking others, inevitably we try to control an interaction. We insist on being known only as the version we prefer to attach to ourselves. A narrative catering to others is not far from memories revised for ourselves: both move us away from the quicksand of feelings. And those who do know us beyond our chosen version—by proximity, by intuition, by observation—must provoke similar discomfort in us as melodrama does. Does our wariness of melodrama contribute to our wish to escape their eyes, or is it the other way around, that in avoiding meeting those who have more access to our interior world than we are willing to allow, we can feel momentarily protected from our own memories?

Or else she would be taken over by an inexplicable rage, saying that I, the only person she loved, deserved the ugliest death because I did not love her enough. Why did you curse me so, Mother; why did you not stop her cursing, Father? Though the truth is, I do not want to know the answers. I resent even thinking about the questions—what others and the world have done should not define one as much as what one has done to oneself.

Sometimes I suspect that I am drawn to those who don’t converse with me because I have not outgrown a childish wish that they will teach me how to live. Or, a slightly more complicated version: I wish that they would teach one how to die.