Nine days earlier, when F.W. de Klerk announced that Mandela would be free, a nine-year-old girl I know greeted the news by jumping up and down and urging her mother, “Please, let's make a big card and send it to Mandela. It’s say, ‘Welcome home, Baba Mandela!’” The girl and her mother lived in Newark, and in 1963, when Mandela had been jailed for life, the mother Kenyan had been only a baby. Quite clearly, Mandela is in the minds and hearts of several generations— all of whom value human freedom— in Africa and the world.
Related Quotes
Printed copies of The Price of Freedom were delivered to the busy, ramshackle offices of New Namibia Books before I was due to go off on maternity leave. I took one and carried it over to my desk as carefully as I would a newborn. Setting it down, I ran my hand over the yellow-brown cover emblazoned with the image of a confident, smiling Ellen. We had chosen that photograph, taken in 1997, together. I turned the book over, and on the back was one of the few images that had survived her years of exile. It was a photograph taken for an identity card in The Gambia.
Chapter 1: Umntu Akalahlwa: The Months Before
“It wasn’t enough to see that something was wrong, her grandfather taught her. It was imperative to do something about it.
If you ask my mum today when she first became aware of apartheid, she will tell you it was a teenager, when she became involved with the Black Consciousness movement. But some of her earliest memories are of white police raiding homes in her neighbourhood looking for Black men who did not have permission to be in the area. At eight years old she watched as long lines of men shackled to each other were forced to walk the streets of the township, before being loaded into police vans.
Chapter 9: Leave no Mark: Escape
“The story my parents want to tell is different from the one I want to write.
My dad wants to recount the political history of South Africa and the Movement. He wants to tell me about the comrade-uncles in Lusaka and London who I knew as a toddler and young child, explaining how they – and he – fitted into the broader trajectory of the ANC. My mum wants to tell the story of the people who shaped her activism, like Joe Gqabi, who guided her as she told him about the discontent at Phefeni, and her friend Baba who turned up with his Beetle on June 16. The story she wants to tell is one of shared effort and history.
The story I want to tell is of my gentle yet courageous dad, and how the path he chose cost him dearly. It is the story of my beautiful mum, barely in her 20s, with bravery I cannot imagine ever possessing. It is of both of them in love, idealistic and determined. It is of my feisty, fearless and fun-loving aunts and uncles, and my grandparents, the quiet revolutionaries.
Some of you may have come across relatives or neighbors who have lost their memory, through either senility or a traumatic experience. They simply cannot connect anything to anything. They don’t even remember their own children and relatives or their past interactions with them. They have no stable reference point. To a smaller or greater degree, an entire people can also suffer the collective loss of memory. I am sure there are members of the young generation who don’t believe that soldiers of the Kenya Land and Freedom Army, otherwise known as the Mau Mau, made guns in their factories in the mountains.
Colonial education and related practices tried to induce collective amnesia about Africa, about its technology and innovation.
The most compelling thing about Mandela is how he endured those years of solitary confinement and other torture without ever surrendering to the racist vampires. In him people see the infinite capacity of the human spirit to resist and to conquer. Do we not for the same reason identify in literature with characters like Prometheus? And in history with people like Paul Robeson, Kwame Nkrumah, Ho Chi Minh, Nat Turner, Toussaint Louverture, Kenyan freedom fighter Dedan Kĩmathi, Zimbabwean resistance leader Mbuya Nehanda, and martyred Chilean poet and singer Víctor Jara?
All these figures are heroic because they reflect more intensely in their individual souls the souls of their community. Their uniqueness is the uniqueness of the historical moment. They make history even as history makes them. They are torches that blaze new paths. Each torch has been lit by the fire of the masses, and every time the flame seems to fade, the great ones turn to their people for more energy.