When a writer subjects us to a non-normative event—a physical implausibility, the use of markedly elevated language (or markedly vernacular language), or a series of lengthy digressions in a Russian pub in which the people keep freezing in midaction for several pages so that each can be described at length, in turn—he pays a price: our reading energy drops. (We get suspicious and resistant.) But if it doesn’t drop fatally, and if, later, we see that this was all part of the plan—if what seemed a failure of craft turns out to be integral to the story’s meaning (that is, it seems that he “meant to do that”)—then all is forgiven and we might even understand the profitable exploitation of that apparent excess as a form of virtuosity.

So, in every instant, a delusional gulf gets created between things as we think they are and things as they actually are. Off we go, mistaking the world we’ve made with our thoughts for the real world. Evil and dysfunction (or at least obnoxiousness) occur in proportion to how solidly a person believes that his projections are correct and energetically acts upon them.

A whole world came into being from the DNA of the voice in that student paper, which, in trying to imitate, I altered.

So, one way to get a story out of “the plane of its original conception” is to try not to have an original conception. To do this, we need a method. For me (and, I like to imagine, for Gogol, when he was in skaz mode) that method is to “follow the voice.” But there are many methods. Each involves the writer proceeding in a way that honors or helps her pursue something about which she has strong opinions. It could be that she has strong opinions (is delighted by) patterns of recurring imagery. She might have strong opinions about the way the words look on the page. She might be a sound poet, guided by some obscure aural principle even she can’t articulate. She might be obsessed with the minutiae of structure. It can be anything. The idea is that with her attention focused on that thing that delights her, about which she has strong opinions, she’s less likely to know too well what she’s doing and indulge in that knowing-in-advance that, as we’ve said, has a tendency to deaden a work and turn it into a lecture or a one-sided performance and drive the reader away.

My capacity for language is reenergized. My internal language (the language in which I think) gets richer, more specific and adroit.

I find myself liking the world more, taking more loving notice of it (this is related to that reenergization of my language).

I feel luckier to be here and more aware that someday I won’t be. I feel more aware of the things of the world and more interested in them.

So, that’s all pretty good.

George Armitage Miller lived in a world of words. Every object that fell into his vision and every word he heard instantly set off a cascade of associations, synonyms, and antonyms that flashed through his mind. A psychologist with an interest in understanding the cognitive processes behind language and information processing, he founded the Center for Cognitive Studies at Harvard. And, in 1980, long before digital networks were part of everyday life, he was the driving force behind the development of Wordnet, a still functioning online database that details the myriad lexical relationships between most words in the English language.

But for a while in 1983 he was stuck looking for a word to describe the relationship between living organisms and information. A fan of Erwin Schrödinger’s What Is Life, Miller was certain that Schrödinger had left something important out of his definition of life. In order for living organisms to consume free energy per entropy’s demands, Miller insisted, they had to be able to find it, and to find it they had to have the ability to acquire, interpret, and then respond to useful information about the world around them. It meant, in other words, that a significant proportion of the energy they captured was expended seeking out information using their senses and then processing it in order to find and capture more energy.