Osita wished, much later, that he’d told Vivek the truth then, that he was so beautiful he made the air around him dull, made Osita hard with desire. “Take it off,” he snapped instead, his throat rough. “Put it back before they catch us.

This is how Vivek was born, after death and into grief. It marked him, you see, it cut him down like a tree. They brought him into a home filled with incapacitating sorrow; his whole life was a mourning. Kavita never had another child. “He is enough,” she would say. “This was enough.”
Picture: a house thrown into wailing the day he left it, restored to the way it was when he entered.
Picture: his body wrapped.
Picture: his father shattered, his mother gone mad. A dead foot with a deflated starfish spilled over its curve, the beginning and end of everything.

I felt heavy my whole life. I always thought that death would be the heaviest thing of all, but it wasn’t, it really wasn’t. Life was like being dragged through concrete in circles, wet and setting concrete that dried with each rotation of my unwilling body. As a child, I was light. It didn’t matter too much; I slid through it, and maybe it even felt like a game, like I was just playing in mud, like nothing about that slipperiness would ever change, not really. But then I got bigger and it started drying on me and eventually I turned into an uneven block, chipping and sparking on the hard ground, tearing off into painful chunks.

Some people can’t see softness without wanting to hurt it.

My mother has changed the inscription on my grave. She could smell that it was a lie. Love and guilt sometimes taste the same, you know. Now it says:

VIVEK NNEMDI OJI

BELOVED CHILD