My mother has changed the inscription on my grave. She could smell that it was a lie. Love and guilt sometimes taste the same, you know. Now it says:
VIVEK NNEMDI OJI
BELOVED CHILD
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Osita wished, much later, that he’d told Vivek the truth then, that he was so beautiful he made the air around him dull, made Osita hard with desire. “Take it off,” he snapped instead, his throat rough. “Put it back before they catch us.
Some people can’t see softness without wanting to hurt it.
Chika’s jaw clenched, but he knew she was right. If Vivek had been alive, he would never have conceded her point, but when you’ve stood on ground and known your child’s bones are rotting beneath you, rage and ego fade like dust in a strong wind.
I don’t mind anymore. I see how things work now, from this side. I was born and I died. I will come back.
Somewhere, you see, in the river of time, I am already alive.
OK, we’ll tell her you dug the grave.’ It’s the truth – stretched, but still true. Besides, what would be left of love without truth stretched beyond its limits, without those better versions of ourselves that we present as the only ones that exist?