sixty-six
“I told him that I had tried to write a suicide note, but I could not write one. Nor could I plagiarise the ones I found online, written by people more eloquent than I. ‘Writer’s block,’ I told him. ‘So far, it’s kept me alive.’ I laughed at my joke, but he did not. He looked at me over slender steepled fingers and said, ‘It’s what’s alive in you – your writing, your creativity – that won’t let you finish.’ That was not something I had considered, and it gave me pause.
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She couldn’t, but she said something that changed my life. "Watch her carefully right now," she said, "because she’s teaching you how to live."
I remind myself of this when I cannot get any work done: to live as if I am dying, because the truth is we are all terminal on this bus. To live as if we are dying gives us a chance to experience some real presence. Time is so full for people who are dying in a conscious way, full in the way that life is for children. They spend big round hours. So instead of staring miserably at the computer screen trying to will my way into having a breakthrough, I say to myself, "Okay, hmmm, let’s see. Dying tomorrow. What should I do today?" Then I can decide to read Wallace Stevens for the rest of the morning or go to the beach or just really participate in ordinary life. Any of these will begin the process of filling me back up with observations, flavors, ideas, visions, memories. I might want to write on my last day on earth, but I’d also be aware of other options that would feel at least as pressing. I would want to keep whatever I did simple, I think. And I would want to be present.
We clinked bottles and smiled, but his words stung because the life I’d imagined for myself had slipped through my inattentive fingers. It was not the place that was a backwater, it was me. My spirit had eddied into the shallows of domesticity and beached itself. I had let John down because I had let myself down by immuring my combative originality, which he’d always valued and loved. Yes, my brother’s words stung –look how long I have remembered them- but they were a gift: he would not me forget that I had once known other things and made other plans.
twenty-six
“Determined to do everything myself, I turned independence into a weapon. I thought of it as a strength, but it was a faultline along which I fractured. I resisted taking other things too – love, advice, knowledge – even if it was good for me, even if I wanted it. Like my troubled relationship with food, which always felt like too little or too much, this refusal – a fear that merging with another would result in the loss of my hard-won self – was old and it ran deep.
fifty-two
“So, I went on at her about my eccentric but good-enough childhood and my well-intentioned parents, doing my best to keep from her everything that really troubled me. The experiences I could neither name nor claim, I had channelled into my writing. I saw no reason to repeat them, but I suspect I knew even then that if I did, she would be onto me – and there would be nowhere left for me to hide.
sixty-eight
“I had felt that if I moved, if I spoke, if I breathed, everything I valued and everyone I loved would be destroyed. But with my analyst’s belief in me, that suicide vest packed with the explosive that is shame started to loosen. The heaviness in my chest eased, and I drew breath. The weight had not only been despair, it had been rage. Frozen rage. The ice-fire of helplessness that I had finally turned into words, clumsy words, but because they had been spoken to a man who could hear them for me, a glacier shifted, moved by the melt of tears. It’s been said that there are no monuments to rape survivors. The only memorial I can build is this one, fashioned from words.