All this complexity and all the signifying layers don’t have to be a problem. They account for life’s richness. The trouble is, we are usually under the illusion that the world we encounter is a factual one having only one layer we call reality. If you follow the archetypal, essentially Platonic view, there is no reality, absolutely none, that is not colored every day by the living imagination. The therapist does not have the luxury to live and work under the illusion things are as they appear to be.
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For the most part, therapy is a matter of telling stories and listening to stories. A therapist needs an acute ear because she has to hear the stories within and behind the stories told and reach so far in her hearing as to grasp the mythic tale, the one that only whispers in the background and yet expresses the essence of the story. Myth describes the basic human experience, the archetypal level, that undergirds the story of events in time. The client tells the stories of her life, but the therapist listens for the rumble of myth deep within the simple stories of life. Adventures of the soul are bigger in scope than the vignettes of ordinary days. They are captured in myths, fairy tales, and legends, not in personal stories, unless you probe these deeply enough to glimpse the myth. So I always look for the greater story within the simple, literal details of daily life. I listen beneath the surface for the great and ancient tale, the story of the soul. To do this kind of listening, it helps to know mythologies and fairy tales and folk stories. If I were establishing my own school of psychotherapy, I’d include classes on mythology and folk tales, the stories of the spiritual traditions, and even novels and short stories, all of which educate the imagination so that a therapist is ready to hear the deep rumblings of primal narratives within the telling of a personal experience. A therapist should be an expert in stories, one who not only listens well but also helps clients tell their stories vividly and meaningfully.
The therapist is seeing the situation differently, and that itself may be helpful. When therapist and client are not in the same narrative, there is space for change.
A passage from the poet Wallace Stevens (1989) has guided me for many years in my understanding of both religion and depth psychology: “The final belief is to believe in a fiction, which you know to be a fiction, there being nothing else. The exquisite truth is to know that it is a fiction and that you believe in it willingly” (p. 189). These words are not as radical as they may sound at first. You just have to accept that everything we say is colored by the limits of our understanding, our emotional biases, and our hopes and wishes. Imagination shapes everything we say and think. Whenever we tell the stories of our lives, we are all novelists. In his book Healing Fiction, Hillman (1983) went further. He said that therapy offers the opportunity to opt into a better fiction, tell a more advanced story about your life.
A therapist might have to relax in ways that have more substance than the mindless escapes people often use. When I suggest good movies and books and the study of art history, I am putting together the pleasure of images and the weight of real study. Of course there is time for ultramindlessness, but in general a therapist who is always “on” needs pleasures that themselves are deep and character building.
Tarrant paints a vivid picture of how challenging this can be. In one of my favorite
passages, he puts it like this:
If you are used to living in a small room and suddenly discover a wide meadow, you might feel unsafe. Everyone thinks that they want happiness, but they might not. They might rather keep their stories about who they are and about what is impossible. Happiness is not an add-on to what you already are; it requires you to become a different person from the one who set off seeking it.