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I try to talk to Violette about how this could be good, about how the concept of what is ideal might be getting in the way of what is true, and possibly good enough. In the back of my mind are earlier discussions we have had about how her desire to please might be getting in the way of her own enjoyment. “You are going deeper into your own space,” I suggest. “Your husband can get the runoff. That will be nourishing for him. He can appreciate you as other and you will feel affirmed.” Violette is not necessarily having it. “Still, it’s not ideal,” she replies. But then she reflects upon some earlier relationships with actors who had more embodied her sense of the ideal. She had tended to submerge herself in those relationships, privileging their talents over her own, and had ended up feeling used and unappreciated. “I might not be so happy in the ideal,” she admits. “This is real,” I repeat. “Grappling with the real is the way to go.