She places her hand on my fist. Her hand covers my fist. I let my hand fall open. She moves her hand down and crosses her wrist against mine and now Iâm almost asleep. When and where were you happiest? My one remaining contact with wakefulness is the flat inside of her wrist resting on the flat inside of mine, as though each wrist were seeking the otherâs pulse. I listen for the soft beat of blood through the skin. I listen as best as I can in the dimming stillness. I slow my breathing and soon I hear nothing.
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He would smile, perhaps relieved by my unaffectedness. Sometimes Yasmeen cried. I thought two crying daughters would be too much for him, so I trained myself to wait until I was alone, in my closet or in the bath. My father would wipe Yasmeenâs face, hug us both, ask us if we wanted chocolate milk.
âGood girl,â heâd whisper in my ear. I was good because I was restrained. My father, I believe, carried a lot of hurt from his relationship with my mother. He did not like to see the related pain radiating from his daughtersâ eyes.
Those letters taught me about longing. Reading them in front of my father taught me to hide it, often even from myself. I know now what a dangerous kind of denial that is. It leaves you ravenous. It makes your seismometer vibrate when the phone call you are shocked to discover you have been waiting for your whole life offers you precisely what you are terrified to want: Hello, Nadia. This is your mama.
She grew larger. From within, Bird thrummed against her: his heels the mallets, her belly the drum. She could feel his hiccups, a microscopic ping. When he turned over, she felt the movement inside her stillness. Whatâs it feel like, Ethan asked, wondrous, and she tried to explain: what the ocean floor felt as the waves rolled out, then in. The librarian slid another book across the counter toward her as she ventured farther and farther from shore.
I think I came closer in this session than in many of the previous ones to encouraging the kind of shift I am after for my patients. It did not come through my explanation of the concept of conceit but from the surprise of suggesting that Zach simply be a friend to his friend. The element of surprise was important. Startled by my comment, Zach had a glimpse of another way of relating. It made sense to him in the moment, not just conceptually but personally. The Zen poem connotes a similar feeling, returning by an unused path. Could that also be mindfulness, coming back via an intrinsic but unfamiliar resource to find the unexpected? But when I read the poem to Zach at a later date, instead of hearing âviolets,â he heard the final word as âviolence.â A Freudian slip, we might conclude.
She stands up from the sofa perhaps to go get a glass of water from the kitchen and at just that moment I enter the living room. I walk up to her and bring my face close to hers. Our arms hang at our sides. Love is stunned into silence. She runs her hand along the scar on my forearm. I rest my right cheek on her right cheek. Our faces are the same warm temperature and I remain there for almost a full minute. We remain there, standing with our cheeks touching, in contact but without pressure.
Sheâs coming down the stairs as Iâm going up. Sheâs wearing a thin shirt. My left hand brushes her left hand. She turns around and takes my hand in hers. Between her thumb and four fingers I place my four fingers. Between my thumb and four fingers her four fingers are placed and we slowly walk up the stairs. Not for a moment longer can I bear not to be inside her.