So much of that time remains indistinct, but I remember the two books my sister, Annie, recommended to me: Pema Chödrönâs When Things Fall Apart and Parkerâs Let Your Life Speak. Both books, as well as Sharon Salzbergâs Faith, flew with me to Arizona from New York.
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He held a book in his hands, and my eyes fell on the title: Tell Freedom by Peter Abrahams. I was transfixed. The words seemed to speak of a world beyond the walls of the Alliance.
Writing enters into us when it gives us information about ourselves we are in need of at the time that we are reading. How obvious the thought seems once it has been articulated! As with love, politics, or friendship: readiness is all. When a book of merit is trashed upon publication, or one of passing value praised to the skies, it is not that the book, in either case, is being read by the wrong or the right people, it is that the wrong or the right moment is being intersected with. This book, good or great though it may be, sinks like a stone because what it has to say cannot be taken in at the moment; while that book, transparently ephemeral, is well received because what it is addressing is aliveânow, right nowâin the shared psyche. Which is perhaps as it should be. The inner life is nourished only if it gets what it needs when it needs it.
Exploring that space between memories and the stories we create allows us to emerge as the leaders we were born to be. My journey as a leader has taught me that my childhood demanded a hypervigilance and that, to stay safe, I learned to work ceaselessly to try to make sense of the world (even as I was confronted with insensible acts and facts). As part of that effort, I listened closelyâcollecting and holding the stories of those around me as clues to a puzzling life.
The result is that I often see, hear, sense things that others miss. This can be a source of great wisdom. But this sensing can be an impediment to my peace of mind as well, for I can create whole ships of fiction out of the random flotsam and jetsam that float my way. Still, when I sit well and quietly, I can see a way through the puzzle, especially when another is blocked. I laugh as I recall that one of my favorite childhood pastimes was completing books of mazes. I like working my way out of mazes; I am good at it.
NINE: Hard Conversations
âIâve talked to experts and read books on the subject, of which my favorites include High Conflict by Amanda Ripley, I Never Thought of It That Way by MĂłnica GuzmĂĄn, and, especially, Crucial Conversations by Kerry Patterson, Joseph Grenny, Ron McMillan, and Al Switzler.
For a while I read Katherine Mansfieldâs notebooks to distract myself. âDear friend, from my life I write to you in your life,â she wrote in an entry. I cried when I read the line. It reminds me of the boy from years ago who could not stop sending the designs of his dreams in his letters. It reminds me too why I do not want to stop writing. The books one writesâpast and present and futureâare they not trying to say the same thing: Dear friend, from my life I write to you in your life? What a long way it is from one life to another, yet why write if not for that distance, if things can be let go, every before replaced by an after.