We clinked bottles and smiled, but his words stung because the life I’d imagined for myself had slipped through my inattentive fingers. It was not the place that was a backwater, it was me. My spirit had eddied into the shallows of domesticity and beached itself. I had let John down because I had let myself down by immuring my combative originality, which he’d always valued and loved. Yes, my brother’s words stung –look how long I have remembered them- but they were a gift: he would not me forget that I had once known other things and made other plans.

The space between the family in the photograph on my dresser and what became of it is gaping and largely unknowable. My parents rarely spoke of each other. They rarely acknowledged that the family in the photograph ever existed. My father died before I was old enough or brave enough to ask him all my questions about the end of our family. Once or twice, we stumbled onto the topic, but those conversations were terse and awkward. I worried that he would take my curiosity for ingratitude, that he would think the life he had given me was not enough. My mother, when we were still speaking, would reveal only scant details. I did not push her. Our relationship was too fragile. And, always, below us, vibrations moved through solid rock.

I was fascinated by place because no place had ever belonged to me; nor had I ever belonged to any place. That was also why, as a child, I was fascinated by the body. Perhaps, I thought, I could belong inside my own body. Perhaps I could know the streams of the veins in my wrists the way other people knew the streams in which they swam as children. Perhaps I could know the names of the bones in the back of my hand the way other people knew the names of the back roads that were shortcuts home. I could know the rhythm of my pulse like my friend Dan knew the rhythm of the approaching train in his hometown, the rhythm he woke up to and went to sleep to and hoped would lead him somewhere else someday. I never did get to know my body that way.

Held: Anne Michaels

1: River Escaut, Cambrai, France, 1917

“We know life is finite. Why should we believe death lasts forever?

VI: River Orwell, Suffolk, 1984

“Above all, shared desire, with its unfathomable, inexpressible peace. The hope implicit in their days and nights together.