Mackās adventures, as he attempts to fulfill his desire to be a successful tenor saxophone player, inform the novelās actions, but what the novel is really about is his spiritual journey toward self-determination and emotional maturity, ultimately in service of the Black community.
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So the acknowledgment that in the midst of ourselves there is still a good part that hasnāt been corrupted and destroyed, that we can tap into and reclaim, is most reassuring. When a more or less ordinary character, someone who is both kind and self-serving, somehow finds that place within where he or she is still capable of courage and goodness, we get to see something true that we long for. This is what helps us connect with your characters and with your book. This is what makes it a book we will foist on our friends, a book we will remember, that will accompany us through life.
If Iād been better schooled back then in the art of accompaniment, I would have
understood how important it is to honor another personās ability to make choices. I hope I would have understood, as good accompanists do, that everybody is in their own spot, on their own pilgrimage, and your job is to meet them where they are, help them chart their own course. I wish I had followed some advice that is rapidly becoming an adage: Let others voluntarily evolve.
Morrison ended the letter with a trace of humility. She set that modesty aside quickly, however, and reinforced her letter with honest bravado, concluding with a final pitch about her confidence in the book.
I suspect this letter should include some information about myselfā something to prevent you from ignoring this letterā but thatās probably presumptuous [sic] if not just a waste of letter reading time. Let me just say. . . :I want to publish books about usā black peopleā that will make some senseā to give joy, to pass on some grandeur to all those black children (born and unborn) who need to get to the horizon with something under their arms besides Dick and Jane and the Rise & Fall of the Roman Empire. . . . I have already published some books that I believe do that. I know the one I have described to you will do more.
For Morrison, the exploration of the ordinariness of Black women, individually and as a group, was a venture into the extraordinary. The need for acid and outrage was indisputable, yes; but universalizing Black womenās discrete experiences was uniquely appealing and necessary.
Morrison relented and hoped Durham would make good on his word. But he also had to convince Silberman to let him work at his own pace. āTry this my way,ā he wrote. "Allow me the exotic pleasure this time of calling you first with the work, rather than vice versia [sic]. I am highly conscious of the overhangings. But now that Iāve got the ball, I run faster and better when I give myself the illusion Iām in charge of it and the whistle wont blow before I wrap it up. I beat deadlines when I feel no deadlines.