The Journey to the Interior

“Kalasinga explained to him the mysteries of the engine, and Yusuf grasped something of this but was happier watching him magically coax the tangle of pipes and bolts into life. He heard about India, where Kalasinga had not been for many years, and South Africa, where he had lived as a child. It’s a madhouse in South. All kinds of cruel fantasies have come true there. Let me tell you something about those Afrikander bastards, though. They’re crazy. I don’t just mean wild and cruel, I mean round the loop. Hot sun has turned their Dutch brain to soup.

Chapter 1: Umntu Akalahlwa: The Months Before

“It wasn’t enough to see that something was wrong, her grandfather taught her. It was imperative to do something about it.

If you ask my mum today when she first became aware of apartheid, she will tell you it was a teenager, when she became involved with the Black Consciousness movement. But some of her earliest memories are of white police raiding homes in her neighbourhood looking for Black men who did not have permission to be in the area. At eight years old she watched as long lines of men shackled to each other were forced to walk the streets of the township, before being loaded into police vans.

Chapter 2: ‘His Poems Are Seditious in Nature’: The Man Who Connected Them All

“Over the years, I have heard my uncles and aunts talk about the poetry my dad used to write. It had assumed a kind of legendary status in our family, but reading these documents was the first time I had actually seen it. I was surprised at how much it read, to me, like what it is — the writing of someone barely out of their teens. An intelligent person, with a great command of English, for sure. But words that could bring down a state? I still can’t get my head around it. I suppose that is the thing with repressive regimes. Any dissent must be totally stamped out. Even the words of someone as young as my dad. They say that you manifest what you fear, and the government did just that with my dad. He wasn't actively planning a revolution before his banning but he would do so afterwards.

Chapter 5: The Deaths They Could Not Grieve: The Aftermath

“It was Johannesburg's Black daily newspaper The World, where photographer Sam Nzima worked, that printed the photo of Hector dying in Mbuyisa Makhubu’s arms. They almost didn’t, as the desk editor was afraid that it might spark civil war. Eventually the paper’s editor, Percy Qoboza, made the decision and the paper placed it on the front page. It earned them a visit from the police, and the photo was banned. Sam was visited by officers at his home.’Choose between our job and your life,’ they told him. He left journalism and Johannesburg.

Chapter 9: Leave no Mark: Escape

“The story my parents want to tell is different from the one I want to write.

My dad wants to recount the political history of South Africa and the Movement. He wants to tell me about the comrade-uncles in Lusaka and London who I knew as a toddler and young child, explaining how they – and he – fitted into the broader trajectory of the ANC. My mum wants to tell the story of the people who shaped her activism, like Joe Gqabi, who guided her as she told him about the discontent at Phefeni, and her friend Baba who turned up with his Beetle on June 16. The story she wants to tell is one of shared effort and history.

The story I want to tell is of my gentle yet courageous dad, and how the path he chose cost him dearly. It is the story of my beautiful mum, barely in her 20s, with bravery I cannot imagine ever possessing. It is of both of them in love, idealistic and determined. It is of my feisty, fearless and fun-loving aunts and uncles, and my grandparents, the quiet revolutionaries.