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4. Be Wise, Not Color-Blind

In the 1950s, Erving Goffman, one of the leading sociologists of the last half of the twentieth century, wrote a classic book on the nature of stigmatization entitled Stigma: Notes on the Management of Spoiled Identity. It was informed by a gay bar culture of that era in San Francisco. In that period of intense anti-gay bigotry, Goffman learned that the men of this culture had a term for straight people they trusted. The term was ā€œwiseā€ as in ā€œhe’s OK, he’s wise, he knows who we are, he sees us as fully human.ā€ Miles Davis’s description of Gil Evan’s tells us that African Americans have similar terms: ā€œhe’s coolā€ or ā€œhe’s hip,ā€ meaning, again, the he knows what’s up, he knows that racial stigmatization is a real predicament in the lives of African Americans, that it takes intelligence and strength of character to survive it, and that, in cases like Miles Davis’s, it can foster great art that reveals the humanity that exists behind stigmatization.

Gil Evans was hip to this. He didn’t say that he, Gil Evans, had decided to overlook Mile’s racial identity— be blind to it— and through that approach see him as fully human, as ā€œjust like everybody else.ā€ That would be color-blindness. That would be sweeping aside as irrelevant a huge feature of Miles’s life and experience. It might be the view of a person occupying a high role in the Wilkerson play. A person who didn’t have to know the names of the people in the chorus. A person not wanting to appear prejudiced, perhaps, but not really wanting to be concerned about the experience of people in the lesser roles. What Evans saw and accepted was Miles’s actual experience and how he dealt with it. His affinity for Miles was a knowing affinity. That’s what made him ā€œcoolā€ despite his eating radishes out of a brown paper bag in Manhattan jazz clubs.

The rhetorical claim of color-blindness is often offered in defence of a good intention: to not discount someone’s full humanity based on their group identity. It’s an intention that I appreciate. But it unfortunately implies that one can overlook even profound parts of another person— experiences tied to their group identity— and still convincingly see them for who they are. So for the people on the receiving end, it can raise questions: If you don’t see my identity or acknowledge the conditions that go with it in this society, how can you see me for who I am? And if you don’t see me for who I am, how can I trust you?