There is this emptiness in me. All the things in the world are not enough to drown out the voice of this emptiness that says: you are nothing. This emptiness does not claim the past because it is always here. It does not have to claim the future as it blocks out the future. It is either a dictator or the closest friend I have ever had. Some days I battle it until we both fall down like injured animals. That is when I wonder: What if I become less than nothing when I get rid of this emptiness? What if this emptiness is what keeps me going?

When I gave up science I had a blind confidence that in writing I could will myself into a nonentity. I had for a few years relished that status, living among the characters who did not know my existence. But how does one remain forever an emotional hanger-on when one wants the characters to live, if not better, or more honestly, or more wisely, at least more fully? Uncharitably one writes in order to stop oneself from feeling too much; uncharitably one writes to become closer to that feeling self.

Sometimes I suspect that I am drawn to those who don’t converse with me because I have not outgrown a childish wish that they will teach me how to live. Or, a slightly more complicated version: I wish that they would teach one how to die.

All people lie, in their writing as much as in their lives. It frustrates me that I hold on to an unrealistic belief: there is some irrefutable truth in each mind, and the truth is told without concealment or distortion in a letter or in a journal entry. My obligation is to look for that truth; finding it will offer me the certainty I don’t have in me. With that certainty I will find a way to build a solid self. This burden I never take on while reading or writing fiction.

A metaphor’s desire to transcend diminishes any human story; its ambition to illuminate blinds those who create metaphors. In my distrust of metaphors I feel a kinship to George Eliot: “We all of us, grave or light, get our thoughts entangled in metaphors, and act fatally on the strength of them.” This, I know, is what my husband was questioning years ago. But my abandonment of my first language is personal, so deeply personal that I resist any interpretation—political or historical or ethnographical.