It is from this journal that I know how my parents believed their love and the birth of their daughters to be a part of something importantâa movement fueled by borderless love. The poems, or at least my interpretation of the poems, mourned not just a lost love but also a certain measure of lost optimism about the current condition.
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I found some relief in seeing my present state mirrored in the experiences of another. But this relief was, I knew, only a balm. To heal, I would need to look inward as well as outward. I would need to examine my memories. I would need to interrogate the stories I told myselfâabout myself, about my family, about the world. My unsolved questions were about my mothers and my father. They were about loss, longing, and fear; about my abandonment. They were about my upended, dislocated body and mind. They were about the geography and geology of my experienceâ about who I was and how Iâd ended up in the blue chair. They were about finding my way out of it. But they were also about the borders and boundaries and fault lines on which we all live. They were about fractured surfaces and tectonic forces; about energies unleashed. This, I knew, was a reckoning. God of fire help me, I begged, or if you cannot help me, then show me how to set my world ablaze.
He would smile, perhaps relieved by my unaffectedness. Sometimes Yasmeen cried. I thought two crying daughters would be too much for him, so I trained myself to wait until I was alone, in my closet or in the bath. My father would wipe Yasmeenâs face, hug us both, ask us if we wanted chocolate milk.
âGood girl,â heâd whisper in my ear. I was good because I was restrained. My father, I believe, carried a lot of hurt from his relationship with my mother. He did not like to see the related pain radiating from his daughtersâ eyes.
Those letters taught me about longing. Reading them in front of my father taught me to hide it, often even from myself. I know now what a dangerous kind of denial that is. It leaves you ravenous. It makes your seismometer vibrate when the phone call you are shocked to discover you have been waiting for your whole life offers you precisely what you are terrified to want: Hello, Nadia. This is your mama.
The space between the family in the photograph on my dresser and what became of it is gaping and largely unknowable. My parents rarely spoke of each other. They rarely acknowledged that the family in the photograph ever existed. My father died before I was old enough or brave enough to ask him all my questions about the end of our family. Once or twice, we stumbled onto the topic, but those conversations were terse and awkward. I worried that he would take my curiosity for ingratitude, that he would think the life he had given me was not enough. My mother, when we were still speaking, would reveal only scant details. I did not push her. Our relationship was too fragile. And, always, below us, vibrations moved through solid rock.
When I came up gasping, my father grabbed me and tossed me back in. When I remember that day, I remember soaring through the air and landing with a splat. I remember myself unattached from everything and yet made of everything. I was the air and the water. I was made of living fragments. I was past, present, and future at once. I felt, more than ever before, and perhaps ever since, deliciously free.
She loves you in the ways she can,â my father said of my mother. I tried not to think about the ways she couldnât, the ways she never would, except perhaps in that place between dream and daylight, in the split second between here and gone.