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We spent a lot of time in our manager meetings talking about how to make this more efficient. We ended up stealing a solution from baseball, where the catcher has to communicate with a pitcher sixty feet away: sign language.

After the host brought you to the table, the captain would hand you menus and ask about your water preference. Moments later, and without any visible communication—often before the captain had even left the table—your server would be at the table, pouring your preferred water choice.

It wasn’t magic; the captain had discreetly signaled your preference to one of their colleagues using a hand gesture (wiggled fingers for bubbles, a straight chop for still, and a twist of the fist for ice) behind their back. Another issue was that the room felt busy. It took a lot of people to execute hospitality at this level, but too many bodies moving swiftly around a room—even one as big as the dining room at EMP—can feel chaotic. In a bustling brasserie, servers zigzagging through the room lends an exciting energy; in a fine-dining setting, the commotion feels disruptive.

So we established traffic patterns for the staff like the ones on city streets, though they were imperceptible to our guests. Corners had invisible stop or yield signs. Most of the room was one-way only, and the traffic moved clockwise. In a two-way corridor, you hugged the wall to the right, as you would if you were driving.