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People are likely to take assertions of color blindness the way Calogero took Jane’s assertions that she liked Italian boys— as a well-intended hope for society but, perhaps inadvertently, as a denial of their lived experience— a personal claim of innocence more than a real commitment to a more just society.

Like Calogero, to trust, they would need a more concrete signal, like a gracefully unlocked car door, that tells them that in this setting, that vision of a fair, color-blind society can be trusted.