Worthy of empathy:
ninety-nine.
Mortal:
one hundred out of one hundred—
a figure that has never varied yet.
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Since I’m a writer with limits—an imperfect person living an imperfect, limited life—the fact that I can still feel this way is a real accomplishment. Calling it a miracle might be an exaggeration, but I really do feel this way. And if running every day helps me accomplish this, then I’m very grateful to running.
The worst sin towards our fellow creatures is not to hate them,” George Bernard Shaw wrote, “but to be indifferent to them: that’s the essence of inhumanity.
We must not force our poets to limit the world any further. That is a crime against life itself. If the poet begins to speak only of narrow things, of things that we can effortlessly digest
and recognise, of things that do not disturb, frighten, stir, or annoy us, or make us restless for more, make us cry for greater justice, make us want to set sail and explore inklings murdered in our youths, if the poet sings only of our restricted angles and in restricted terms and in restricted language, then what hope is there for any of us in this world?
Those of us who want this are cowards, in flesh and in spirit. We fear heroic heights. We dread the recombining of the world, dread a greater harvest of being. We sit lazily and demand that our poets draw the horizon closer. We therefore become separated from our true selves. Then even beauty can seem repugnant. Then, we no longer recognise who we are, and we forget what we used to be, what states we sometimes inhabited, what extended moments of awareness.
The superiority of one writer over another is not just in the quality of language; but also in the quality of the story and the storytelling; the quality of enchantment; and the timelessness of that enchantment. It is therefore futile to speak of superiorities. There is only that which lives, and which keeps on living.
Out of every hundred people
those who always know better:
fifty-two.
Unsure of every step:
almost all the rest.
Ready to help,
if it doesn't take long:
forty-nine.
Always good,
because they cannot be otherwise:
four—well, maybe five…