One night, desperate for the loo, I stepped on a giant slug and it squelched between my toes in long green tubes. I think that’s the night I became a soprano. After that, I made myself a salt path every night to dispose of them. As young, first time tenants, we had no idea that we could complain – we had to pay the whole term’s rent up front, so we had no leverage at all. God, it was awful, but we loved having our independence.

I missed so much, running to get to the top of the mountain, that instead of sitting down to take in the view, I fretted over conquering the next one. I was a working-class Brixton girl figuring out which fork to use in the Palace, and everything was brand new. I’d say to her, yes, be concerned for the future, but don’t forget to find the joy in the present.

When I came up gasping, my father grabbed me and tossed me back in. When I remember that day, I remember soaring through the air and landing with a splat. I remember myself unattached from everything and yet made of everything. I was the air and the water. I was made of living fragments. I was past, present, and future at once. I felt, more than ever before, and perhaps ever since, deliciously free.

That time at the Chinese butcher, you pointed to the roasted pig hanging from its hook. “The ribs are just like a person’s after they’re burned.” You let out a clipped chuckle, then paused, took out your pocketbook, your face pinched, and recounted our money.

When you turn to me once more, I run to fetch a towel from the case. Without a word, you slide the towel under the phantom limb, pad down the air, the muscle memory in your arms firing the familiar efficient motions, revealing what’s not there, the way a conductor’s movements make the music somehow more real.