When I came up gasping, my father grabbed me and tossed me back in. When I remember that day, I remember soaring through the air and landing with a splat. I remember myself unattached from everything and yet made of everything. I was the air and the water. I was made of living fragments. I was past, present, and future at once. I felt, more than ever before, and perhaps ever since, deliciously free.

The time with the kitchen knife—the one you picked up, then put down, shaking, saying quietly, “Get out. Get out.” And I ran out the door, down the black summer streets. I ran until I forgot I was ten, until my heartbeat was all I could hear of myself.

I came to know, in those afternoons, that madness can sometimes lead to discovery, that the mind, fractured and short-wired, is not entirely wrong. The room filled and refilled with our voices as the snow fell from her head, the hardwood around my knees whitening as the past unfolded around us.

She grew larger. From within, Bird thrummed against her: his heels the mallets, her belly the drum. She could feel his hiccups, a microscopic ping. When he turned over, she felt the movement inside her stillness. What’s it feel like, Ethan asked, wondrous, and she tried to explain: what the ocean floor felt as the waves rolled out, then in. The librarian slid another book across the counter toward her as she ventured farther and farther from shore.

Nothing in the real world is as beautiful as the illusions of a person about to lose consciousness.